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** Get Free Ebook Sexplosion: From Andy Warhol to A Clockwork Orange-- How a Generation of Pop Rebels Broke All the Taboos, by Robert Hofler

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Sexplosion: From Andy Warhol to A Clockwork Orange-- How a Generation of Pop Rebels Broke All the Taboos, by Robert Hofler

Sexplosion: From Andy Warhol to A Clockwork Orange-- How a Generation of Pop Rebels Broke All the Taboos, by Robert Hofler



Sexplosion: From Andy Warhol to A Clockwork Orange-- How a Generation of Pop Rebels Broke All the Taboos, by Robert Hofler

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Sexplosion: From Andy Warhol to A Clockwork Orange-- How a Generation of Pop Rebels Broke All the Taboos, by Robert Hofler

After the sexual revolution came the sexual explosion

The six years between 1968 and 1973 saw more sexual taboos challenged than ever before. Film, literature, and theater simultaneously broke through barriers previously unimagined, giving birth to what we still consider to be the height of sexual expression in our pop culture: Portnoy's Complaint, Myra Breckinridge, Hair, The Boys in the Band, Midnight Cowboy, Last Tango in Paris, and Deep Throat.

In Sexplosion, Robert Hofler weaves a lively narrative linking many of the writers, producers, and actors responsible for creating these and other controversial works, placing them within their cultural and social frameworks. During the time the Stonewall Riots were shaking Greenwich Village and Roe v. Wade was making its way to the Supreme Court, a group of daring artists was challenging the status quo and defining the country's concept of sexual liberation. Hofler follows the creation of and reaction to these groundbreaking works, tracing their connections and influences upon one another and the rest of entertainment.

Always colorful and often unexpected, Sexplosion is an illuminating account of a generation of sexual provocateurs and the power their works continue to hold decades later.

  • Sales Rank: #977600 in eBooks
  • Published on: 2014-02-04
  • Released on: 2014-02-04
  • Format: Kindle eBook

From Booklist
*Starred Review* The author, senior editor at Variety and former entertainment editor at Penthouse, sets out to show how a number of very talented, risk-taking rebels challenged the world’s prevailing attitudes toward sex and, in the process, changed pop culture forever. Thus, we have a compendium of period sex, drugs, and rock ’n’ roll, much of it familiar, but which, in aggregate, demonstrates Hofler’s thesis abundantly. Focusing on the brief period of 1968–73, the text presents a deluge of barrier-breaking books, films, and theater that is dizzying in its magnitude and impact. Hofler’s appropriately breezy style allows his journalistic strengths to shine; it all rings true. Arranged chronologically, beginning with Hair and the movies of Andy Warhol and quickly taking in Philip Roth’s Portnoy’s Complaint, John Schlesinger’s film Midnight Cowboy, Kenneth Tynan’s Oh! Calcutta! (the title explained), Mart Crowley’s gay-themed The Boys in the Band, and much more, with convincingly detailed context, Hofler describes in often strong language and with considerable wit what was unmistakably a new cultural reality and moral perspective in America and Britain. Although his epilogue seems superfluous, he otherwise makes his case compellingly. This is readable and enjoyable popular history for younger adult readers and deeply resonant nostalgia for the boomers who came of age during this heady half decade. --Mark Levine

Review
Dizzying in its magnitude and impact . . . Hofler describes in often strong language and with considerable wit what was unmistakably a new cultural reality and moral perspective in America and Britain . . . (Booklist (starred review))

Lively [and] unapologetically profane . . . Hofler covers pop-culture figures and their creations with an expert’s depth of knowledge . . . resulting in a delightful journey through a short-lived but influential period (Publishers Weekly (starred review))

Fun, fascinating examination of the moment when American and British culture seemed to lose all inhibitions . . . Readers will marvel over the ideological distance traveled since those years . . . Sparkling history of an artistically spirited age. (Kirkus Reviews)

So vivid it’s like reliving the times, Robert Hofler’s Sexplosion seamlessly illuminates in fast-paced detail the tumultuous era in which American culture finally lost its virginity. His impressive research and authoritative voice make for a !*&%#@! good read. (Stephen M. Silverman, author Dancing on the Ceiling: Stanley Donen and His Movies)

Sexplosion is a multifaceted gem-a close examination of the intersection of sex, politics, and the arts that is also a thrilling cultural history. It is an original and provocative look at the backstage scenes of America’s theaters, studios, and clubs, where artists were demolishing inhibitions and transforming our lives. (Bob Spitz, author of Dearie: The Remarkable Life of Julia Child)

“Rich, funny, and comprehensive, Sexplosion takes you inside the tumultuous, energizing years of 1968 to 1973, when artists, filmmakers, and writers defied authority and challenged every taboo to create a sexual revolution that reverberates to this day. This is a superb evocation of an era.” (Patricia Bosworth, author of Jane Fonda: The Private Life of a Public Woman)

Sexplosion is a witty, insightful ride through the most entertaining period in American pop culture, the late 1960’s, when saying bad words and shedding one’s clothes in public were controversial and, in some circles, heroic acts. (—Ron Nyswaner, screenwriter of Philadelphia and The Painted Veil)

A thoroughly enjoyable romp through a five year explosion of taboo busting, sexually adventurous entertainment. Robert Hofler pays tribute to the trailblazing artists who paved the way for the freedom on screen that we take for granted today. (Jeffrey Schwarz, director of I AM DIVINE and VITO)

Fascinating. (L.A. Weekly)

A bona fide page-turner . . . Fascinating, funny, and thorough . . . Sexplosion tells the story of the people who made our current enlightenment possible. (LitReactor)

Eye-opening . . . a 327-page time machine trip back to a pivotal moment in modern pop history. (Connecticut Post)

That most rare of histories: as fun as it is fascinating. (Bookgasm)

“…a provocative romp through the culture wars and the transformation in America’s sexual politics…” (Wall Street Journal)

Written by a true pop culture connoisseur…..like a long, three-martini lunch with a chatty acquaintance who knows the studio-lot scuttlebutt and isn’t afraid to share it. (Washington Post)

A compelling historical look at the avant-garde art scene of the late 1960s and early 1970s, the set that broke taboos about what art could and couldn’t say about sex. Hofler doesn’t hold back….And lurid details make for a compelling read. (GQ)

Like Easy Riders, Raging Bulls, Peter Biskind’s study of the New Hollywood, Sexplosion deftly weaves a path through the friendships and collaborations which created common ground…. Above all, he amasses one unforgettable vignette after another. (The Independent)

Richly detailed, entertaining study of film and theatre’s sex boom in the late 1960s and early 1970s. (Sunday Times (London))

Compulsively readable …Sexplosion, with energetic glee, details how between 1968 and 1973 rebellious artists …proceeded to annihilate the mostly hypocritical censorship standards. (Boston Herald)

Sexplosion stands as an engrossing chronicle of artistic expansion…. If your guilty-pleasure tastes run toward showbiz gossip, note that this book is pretty delicious. (Financial Review (Australia))

Hofler captures the arc of a generation that got drunk on pop liberation and woke up a little hung over….a parade of scandals. (New York Times Book Review)

Robert Hofler knows this topic better than anyone. Sexplosion is a well received study of the fiery, liberating culture that seized audiences from 1968 to ‘73….So take off your 3D glasses and let’s dance into the time tunnel of social tumult and other earthly delights. (Micahel Musto, Out)

About the Author

Robert Hofler has spent more than forty years as an entertainment journalist, having worked as entertainment editor of Life and executive editor of Us magazine, and most recently at Variety, where he was a theater reporter and senior editor for fifteen years. His nonfiction works include the Henry Willson biography, The Man Who Invented Rock Hudson, Variety's "The Movie That Changed My Life," and Party Animals, a biography of Allan Carr. Hofler is the theater critic for The Wrap and lives in New York City.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Entertaining Evocation of a Turbulent Period in American Popular Cultural History
By Dr. Laurence Raw
SEXPLOSION recounts the story of the turbulent years between 1967 and 1973, when many of the sexual taboos preventing the free expression of ideas in film, theater, television and literature came crashing down. Author Hoffer constructs the book as a series of parallel narratives, including the first performances of THE BOYS IN THE BAND, HAIR! and O! CALCUTTA! on Broadway; the filming and reaction to groundbreaking movies such as MYRA BRECKINRIDGE, CARNAL KNOWLEDGE, WOMEN IN LOVE, THE DEVILS, DEEP THROAT and A CLOCKWORK ORANGE; the furor surrounding the public television series AN AMERICAN FAMILY, with its real-life portrayal of an openly gay character; and the reaction to sexually explicit books such as COUPLES.

Some of the stories are especially entertaining. I enjoyed reading about the docu-soap AMERICAN FAMILY, that focused on the real-life exploits of the Loud family; its struggles to stay together; and the way in which it viewed the fact that the eldest son Lance was openly gay. The family themselves had no problem with this; but the media at the time reacted in an hysterical manner, prompting the Loud family to appear on THE DICK CAVETT SHOW in order to defend themselves. As Hoffer tells it, they were the victims of a deliberate campaign of distortion by the mainstream media, as well as the show's producers.

The book describes the lives of some larger-than-life characters, notably the British actor Oliver Reed, who tried to film the famous nude wrestling scene with Alan Bates in WOMEN IN LIVE while drunk. Eventually director Ken Russell had his way, and Reed was forced to do it sober. The actor found it difficult to get on with costar Glenda Jackson, and for his love scenes he deliberately chewed garlic, so that Jackson would thoroughly dislike the experience of kissing him. In THE DEVILS Reed initially objected to having his eyebrows shaved, but only agreed to do so if he could take out an expensive insurance policy on them. Likewise Jack Nicholson made headlines, not only for his performance in CARNAL KNOWLEDGE but for his openly sexist comments made in the media about his love for "pussy."

And herein lies the book's principal argument. While the late Sixties and early Seventies were certainly a time when censorship laws were relaxed, that did not necessarily lead to a redefinition of gender roles. Most of the pioneers at that time were men; while some women (notably Gloria Steinem) achieved prominence, the majority were still treated as sex-objects. Many of the films - DEEP THROAT being a prime example, or LAST TANGO IN PARIS - showed women as the victims of male sexual fantasies, while writers such as Norman Mailer openly criticized Second Wave feminists such as Germaine Greer on the public stage. It seemed that the so-called "Sexual Revolution" had to be accomplished on masculinist terms, by reinforcing the kind of gender discrimination that had dominated American cultures ever since the end of World War Two. Women were expected to act in subordinate roles.

Sometimes the author becomes a little too fond of his own rhetoric; he is particularly critical of Kenneth Tynan, for instance, with his penchant for wearing outrageous clothes. There are also some errors in the text - the Royal Court Theatre is in Sloane Square, not Sloan Square, as the author claims. Nonetheless SEXPLOSION is worth reading as an evocation of a turbulent period in American popular cultural history; a period which now seems faraway in terms of its views of sex and gender, but one which at the time inspired moral panics amongst the media and government representatives alike.

2 of 2 people found the following review helpful.
Amusing If Slight
By Chris Ward
This is a compendium of everything that was culturally/sexually controversial in the late 60s and early 70s. Movies, books, plays-- if it ruffled prudish feathers, it's here. Hofler's thesis is that this was a time of particular revolutionary ferment, and he walks through about five years of censored and uncensored challenges to propriety with a light touch and considerable humor. Is it fun? Yes. Hofler does us the favor of compiling all of these gossipy goodies in one place. I enjoyed it.

That said, it's a hodgepodge that seems somewhat perfunctory. You get four or five pages on dozens of controversial films and novels and plays hooked together in a slapdash fashion. If you're really interested in this stuff, just Googling any one would yield much the same info.

2 of 2 people found the following review helpful.
Incredibly Informative & Entertaing...another Bob Hofler hit!
By Howard Rosenman
TERRIFIC TALES
“I really enjoyed this one. This is a very entertaining read, even more fun that Hofler’s last book The Man Who Invented Rock Hudson. Especially provocative are the stories about Carnal Knowledge, Last Tango in Paris and Deep Throat, three films that appeared to lead the way to triple-x fare in mainstream movies. But court cases involving those films stopped that trend dead in its tracks. We’ve had to wait almost half a century to see that trend play out with films like Nymphomaniac, Interior Leather Bar and Blue Is the Warmest Color.

Howard Rosenman

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